Independent record label based in LA. Home to The Black Keys, Two Gallants, Buffalo Killers, Radio Moscow, Lee Bains III & The Glory Fires, Hacienda, John The Conqueror, Brian Olive, Black Diamond Heavies, Left Lane Cruiser, T-Model Ford, Thomas Function, Waves Of Fury, etc. More at www.alivenergy.com
Tuesday, December 11, 2007
SOLEDAD BROTHERS - Rolling Stone
At their best, Soledad Brothers recall the Rolling Stones when Mick and Keith were fresh-faced bluesheads in the mid-Sixties: The prolific Detroit foursome kicks out solid, harmonica-laced blues riffs without sounding derivative or cheesily nostalgic. "Downtown Paranoia Blues" is a distortion-happy tribute to no-good women and the men who love them. "Got that paranoia and it's spinning in my head," drawls singer Johnny Walker, with a little irony: "I could see her laying down in half a million beds." Guitars whine convincingly over the down-at-the-heels piano ballad "Crying Out Loud (Tears of Joy)," and the meandering, ten-minute-plus hidden track, "Dirty Beef in C," is full of psychedelic sitar twangs sure to win over the stoner contingent. Meet the Motor City's newest hitmakers. - Lauren Gitlin / Rolling Stone
Tuesday, November 13, 2007
Thursday, January 11, 2007
SOLEDAD BROTHERS - The Onion
Detroit's Soledad Brothers started life as one of those bluesy guitar-and-drum duos that seem to spring up like weeds in local garage-rock scenes, and though they've since added another guitarist and the occasional guest player, Soledad Brothers still cling to the raw, rootsy sound that stripped-down duos do best. The band's new album, The Hardest Walk, traffics in swamp-bound sounds in an urban setting, as on "Downtown Paranoia Blues," which is all tin-shack choodle and uncontrollable jealousy, set in the dank atmosphere of a coldwater flat. Even "Sweet And Easy," the Soledads' stab at a sultry midtempo R&B moaner, doesn't sound too far removed from their cello-aided, dissonant creep-out "Let Me Down," and when they launch into the surging, poppy freak-beat exercise "Good Feeling," lo-fi rust keeps the song from sounding fully positive. The Hardest Walk's key song may be the minute-long avant-noise fragment "White Jazz," which acknowledges the differences between Soledad Brothers and the musical primitivists they borrow from. The Soledads grapple with self-consciousness, and overcome it whenever they slip music past their own heads and into their bones. - The Onion
Subscribe to:
Posts (Atom)
ARTISTS :
- Album reviews (158)
- Alive Naturalsound records (14)
- Black Diamond Heavies (44)
- Black Keys (11)
- Bloody Hollies (4)
- Bomp book (1)
- Breakaways (2)
- Brian Olive (22)
- Brimstone Howl (19)
- Buffalo Killers (30)
- Dan Auerbach (13)
- Devotionals (4)
- Greenhornes (2)
- Hacienda (27)
- Henry's Funeral Shoe (6)
- Howling Diablos (1)
- Iggy Pop (2)
- Interviews (13)
- James Williamson (2)
- Julian Cope (1)
- Left Lane Cruiser (26)
- Live reviews (11)
- Matthew Smith (2)
- Mondo Drag (7)
- Nathaniel Mayer (18)
- Nerves (11)
- Outrageous Cherry (14)
- Paul Collins (5)
- Peter Case (2)
- Plimsouls (4)
- Radio Moscow (22)
- Reverend James Leg (2)
- Ron Franklin (8)
- Scott Morgan (3)
- Soledad Brothers (6)
- Sonic's Rendezvous Band (2)
- SSM (14)
- SXSW 2008 Showcases (1)
- SXSW 2009 Showcases (2)
- T-Model Ford (8)
- The Sights (4)
- Thomas Function (26)
- Trainwreck Riders (14)
- Turpentine Brothers (2)
- Two Gallants (8)
- Tyson Vogel (3)
- Updates (1)
- White Noise Sound (7)
Powered by Blogger.