Alive Naturalsound Records

Independent record label based in LA. Home to The Black Keys, Two Gallants, Buffalo Killers, Radio Moscow, Lee Bains III & The Glory Fires, Hacienda, John The Conqueror, Brian Olive, Black Diamond Heavies, Left Lane Cruiser, T-Model Ford, Thomas Function, Waves Of Fury, etc. More at

Friday, October 3, 2008


Something hot, humid and nasty blew up from the South when the keyboards-and-drums duo Black Diamond Heavies shook the rafters at Plush last Friday, with deep blues, cold-sweat soul and swamp R&B.

From East Nashville, Tenn., the Black Diamond Heavies played for only about 50 minutes, bookended by excellent sets from local acts Chris Black and Tom Walbank.

John Wesley Myers, a Texas-born son of a preacher man, looked a tad like the long-lost younger brother of Steppenwolf's John Kay, but sang like Howlin' Wolf--all bark and bite, his growl was the real deal. On the keys, Myers kept up a hypnotic rhythm with his left hand, while molesting his piano and organ with layers of fuzz and other effects, building a monstrous groove in which the lack of bass or guitar was never an issue. His partner was rabble-rousing drummer Van Campbell, a scion of Kentucky whose energetic style helped propel the momentum into overdrive.

Myers and Campbell worked devilishly to bring the backwoods juke joint to Tucson with immediately appealing, flame-throwing numbers such as "Fever in My Blood" and "Bidin' My Time." But they really killed on interpretations of soul classics such as Tina Turner's "Nutbush City Limits" and Nina Simone's "Oh, Sinnerman," both of which are on the Heavies' latest album, A Touch of Someone Else's Class. - Gene Armstrong / Tucson Weekly

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