Alive Naturalsound Records

Independent record label home to The Black Keys, Radio Moscow, White Noise Sound, Occult Detective Club, Mondo Drag, Devotionals (Tyson Vogel of Two Gallants), Hacienda, Thomas Function, Brian Olive, Black Diamond Heavies, Two Gallants, Brimstone Howl, Buffalo Killers, Left Lane Cruiser, SSM, Henry's Funeral Shoe, Outrageous Cherry, Scott Morgan, T-Model Ford, Paul Collins, Trainwreck Riders, Nathaniel Mayer, The Nerves, The Plimsouls, Breakaways, etc. More at www.alivenergy.com

Tuesday, January 12, 2010

T-MODEL FORD The Ladies Man out today


T-MODEL FORD "The Ladies Man" out today
on CD, LP (orange vinyl ltd. to 500 copies) and digital

"The Ladies Man" is T-Model Ford's seventh album, and what makes it unique is that it's entirely acoustic. Recorded at Planet Sound Studios in Wichita, Kansas, the album is the product of a live, one-take afternoon session with no overdubs and minimal mixing. T wanted to play acoustic guitar and have 100% control over the record and everyone involved in the project agreed he should do it the way he wanted. The result is pure T Model, with some newer young musician-friends playing along with him. "I'm a ladies man. The ladies follow me everywhere." - T-Model Ford

"The Ladies Man" has the relaxed feel of an informal jam session, a vibe that works to Ford’s advantage in emphasizing good times and a friendly atmosphere over tortured souls and visiting hellhounds. – Sleazegrinder

His picking is solid, but what’s especially impressive is his voice. There’s a weathered edge to his tone, but his pitch is surprisingly sharp. Not sharp for an 88-year-old (or so) man; just sharp. – Hyperbolium

"I can’t read, can’t write, can’t even spell what I love man," he says on the spoken word segment, "I’m Coming to Kick Your Asses." The self-taught guitarist first took up the instrument at 58 and, now at 84, bangs away at it somewhat respectably aided by frequent belts of Jack Daniels. "In a week’s time I was playing this sonuva gun," he brags. "I had them guy’s wives leavin’ home." His playing is somewhat pedestrian, thumping along on "44 Blues" as a ragged tribute to Wolf. But what he lacks in technique he makes up with swagger. – Creative Loafing

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